The world’s most famous recording studio aims to celebrate the spirit of music scenes around the world with the launch of the first Abbey Road Studios Music Photography Awards (MPA). The new event is the first of its kind to recognize the art of music photography and will be judged by an esteemed global panel of industry creators. Photographers of all skill levels will be honored in a series of categories, beginning with the Hennessy Championing Scenes Award – a free-entry category highlighting the vibrancy of global subcultures and the people documenting the gritty underbelly of these burgeoning scenes. .

Among the judges is Simon Wheatley, an acclaimed photographer considered one of the most important chroniclers of London’s youth. He spent 12 years documenting grime culture and his book Don’t Call Me Urban! The Time of Grime, published in 2010, has been hailed as a classic of British documentary photography. “I had no idea what was going on, and I’m glad I didn’t because it gave me a purity that might have been compromised had I known I was capturing something precious” , Simon told Creative Boom.

“I was mesmerized by the brutality of this aggressive sound emanating from decaying concrete blocks. It was the voice of an underclass, Thatcher’s unwanted children living in a harsh individualistic world where the concept of ‘community ” had become so threatened. But despite this individualism, there was a legacy of unity that is no longer seen. Youth clubs were filled with people gathered in stairwells, street corners and squares . I miss it. The smartphone has reinforced this individualism and made us less communal. What has changed is the chaos in people’s lives.”

Since those days Simon has continued his work around the grime scene, as a photographer and filmmaker, and 2022 sees him gearing up to release a more comprehensive book that will cover the evolution of the genre to the present day. In 2018 he was asked to be the in-house photographer at Abbey Road Studios in London.

The Championing Scenes jury also includes acclaimed British photographer and filmmaker Rankin, Ghanaian-American artist and multidisciplinary creative Moses Sumney, visionary musician and DJ Shygirl from East London, legendary photography and Rockarchive founder Jill Furmanovsky, photographer musical pioneer Dana Scruggs, Rolling Stone Assistant Cinematographer Sacha Lecca and Abbey Road Studios Managing Director Isabel Garvey. As category sponsor, Hennessy will reward the Championing Scenes winner with a support package, including the opportunity to collaborate on an international project with the brand in 2023.

“I’m not just interested in the music itself, but where it comes from,” Simon says of the Awards. “Subcultures emerge from the cracks in society, and that’s what fascinates me the most. Grime reflected youthful discontent, and when I started hearing it, I wanted to grab the place of anguish and alienation from where he came from. I believe that a documentarian of the musical subculture should reveal the social texture of sound. I am delighted to celebrate other photographers’ ideas about the movements they document Grime was a big adventure – for me, that’s what photography has always been.

Alongside the Championing Scenes category, the Awards invite emerging and established photographers from around the world to participate in three other open-entry categories: The Studio Photography Award will celebrate images that capture the magic that happens when musicians come together to write, experience or record a Live Music Photography Award for images documenting live music moments in 2021 and the Undiscovered Photographer of the Year honoring top emerging and unsung talent.

Nominations for the Music Photography Awards are now open and can be submitted by photographers at all stages of their career via the official website website until midnight March 21, 2022. The winners of the nine categories will be announced and celebrated at an official ceremony on Saturday May 14, 2022, hosted at Abbey Road Studios.

Famous music recording studio Abbey Road Studios expand their legacy with all of its latest technological advancements and services.

Abbey Road Studio, formerly known as EMI Studios, is a famous music recording studio located in London, United Kingdom. The English rock band “The Beatles”, very popular in the rock industry, named the studio after their eleventh studio album released in September 1969. Previously, Abbey Road was just the name of the street where find the studio.

Story

The history of the Abbey Road studio dates back to 1929 when musical recordings were still made by wax disc. The Gramophone Company bought the land for the nine-bedroom house with a large garden and built the world’s first recording studio. The Gramophone company later merged with the electrical and music industries, thus naming the studio after EMI recording studios.

The Abbey Road Music Recording Studio was officially opened in 1939 with the performance of Sir Edward Elgar’s Land of Hope and Glory. The studio with its grand opening went on to feature classical and orchestral legends like Sir Thomas Beecham, Maria Callas, Geoff Love and many more.

Abbey Road is a studio that has defined generation after generation and provided us with world renowned artists. The 1940s were defined by dance and jazz artists like Joe Loss Orchestra and Glenn Miller and the 1960s pop charts were defined by Ravi Shankar, Cilla Black and many other famous artists. The Beatles, however, recorded their 190 out of 210 songs in the studio between 1962 and 1970. They had a great influence on the studio as they changed the studio and its culture forever. The three-hour studio sessions lasted all night as they pushed experimentation beyond the limits with their creativity.

Contribution of new technologies

It was at Abbey Road that the concept of stereo music was invented by master Alan Blumlein when he patented ‘Binaural’, which means listening with two ears. The Record Engineering Development Department was introduced by engineer Len Page in 1955 to meet the needs of the various artists and music producers using the rooms, developing their first mixing desks.

It was also at Abbey Road that the concept of Artificial Double Tracking (ADT) was discovered by Ken Townsend, who was an engineer at the studio.

The mastering heritage has always been a special aspect of Abbey Road Studios as it consists of several mastering suites, combining an unrivaled selection of classic analogue and modern digital equipment. From the early 1970s until today, many well-known artists have chosen their music to be recorded there. From George Harrison to Lady Gaga, everyone is fond of Abbey Studio.

Workshop Sections

Abbey Road has a lot to offer as having the chance to record or even work on a project is a dream come true for any artist and producer. They are available with large spaces and segments ranging from Studio One, Two, Three to their latest additions of The Gatehouse and the Front Room. Emerging talent from around the world is welcome at Abbey Road and for them it is exciting to use the legendary studio equipped with all the modern equipment needed for excellent production. The Penthouse offers flexibility for every type of project.

Studio 1 – it is the largest purpose-built recording studio in the world where it can comfortably accommodate a large orchestral symphony or choir.

Studio 2-It is their most famous studio which offers a unique design, modern cubicles, warm acoustics and an unparalleled history has made it the most sought after studio in the world.

Studio Three – This is the ideal large room for mixing sessions and a substantial living room. It also offers isolation booths for vocal and instrumental recordings.

The Penthouse – The Penthouse is a modern studio for versatile mixing projects. This is a completely different studio space than previous ones as it is fully accredited for Dolby ATMOShome entertainment projects. It is dedicated to high-end musical productions.

The gatehouse – It is absolutely perfect for a small group or vocal artists who are looking for state-of-the-art technological equipment with a control room and a mixing desk.

The road ahead – The studio was designed for smaller scale recordings and writing sessions. It is designed to allow a wider range of customers to benefit from Abbey Road’s unique inspiring atmosphere.

Abbey Road studio has been contributing for the past 40 years, their excellence in film music has made the studio the world’s premier destination for all types of projects. Projects like Raiders of the Lost Ark, The Lord of the Rings, The Harry Potter Series, Avengers: Endgame, etc. have been well rated and mastered in this very popular studio. The studio is a place where artists come to get inspiration for their brand new productions and this particular studio has been the hallowed ground for many world famous artists who have started their golden journey to greatness.

Jennifer Stone turned her love of music to writing. She is one of the writers of Daily Music Roll and indulges in creating positive reviews, music blogs and music press releases for various artists here.

LONDON – Abbey Road Studios, the legendary heart of The Beatles’ music catalog, celebrated its 90th anniversary this month.

A number of other famous artists – from Pink Floyd to Adele – have also used the recording studio. But it’s the Beatles and their chart-topping 1969 album – named after the street in London where the studio is located – that the venue is most closely associated with.

“I remember being pretty nervous most of the time in the recording studio, but also very excited – nervous excitement. It was fantastic to be in Abbey Road,” said Paul McCartney, according to the Autobiography of Beatles in 2000, “The Beatles Anthology.”

“We lived there,” he added. “I loved it so much that I even had a house around the corner. I never wanted to leave.”

To celebrate nine decades of recording music, Abbey Road Studios hosted a two-day festival this month dedicated to the next generation of music makers. The festival featured panels and other events covering a range of topics, from how to become a music producer or engineer, to the business of music publishing. While looking to the future, this milestone anniversary was also an opportunity for Beatles fans to remember the studio’s important place in musical history.

Abbey Road Studios, formerly EMI Recording Studios, opened on November 12, 1931. The Gramophone Company, one of the UK’s first record companies, had purchased a nine-bedroom house on Abbey Road in the north of London, in St. John’s Wood. neighborhood in 1929 and spent two years turning it into “the world’s first purpose-built recording studio,” according to the Abbey Road Studios website.

The Gramophone Company merged with the Columbia Graphophone Company in 1931, becoming Electric Musical Industries (EMI). The recording studio was renamed in the 1970s in honor of the Beatles’ album “Abbey Road”.

Over the years, Abbey Road Studios has been an integral part of many beloved film scores including “Indiana Jones: Raiders of the Lost Ark”, “The Lord of the Rings”, “Harry Potter”, “Star Wars” “,” Skyfall, “” Gravity “and” Black Panther “.

Lester Smith, the keeper of Abbey Road Studios’ impressive collection of microphones for the past 50 years, recalls working on the 2010 Oscar-winning film “The King’s Speech” with veteran sound engineer Peter Cobbin , who requested the microphone used by King George of Great Britain. VI.

“There were actually five microphones, and Peter asked me to try to get them to work,” Smith said in a statement earlier this month. “After being silent for 70 years, this was a very special occasion to try.”

Abbey Road Studios is also credited with important technological creations. Stereophonic, or stereo, sound was invented in the 1930s by Alan Blumlein, electronic engineer at EMI. Artificial Dual Track (ADT), a revolutionary technology that helps enhance vocals or instruments while mixing, was invented specifically for the Beatles in 1966 by Ken Townsend, sound engineer at EMI.

“There are composers who can hear if something was recorded at Abbey Road because it has such a distinct sound,” Isabel Garvey, general manager of Abbey Road Studios, told ABC News Wednesday.

Today, Abbey Road Studios not only makes musical magic, but is also a place of pilgrimage for generations of Beatles fans. Every day, people from all over the world come to cross the famous Abbey Road level crossing, as depicted on the iconic album cover art, and pay tribute to the band by writing on a graffiti wall in front of the studio building, which repaints itself. every few months to make room for new messages.

“The gravitational pull to Abbey Road is global,” Garvey said, “and it’s not just for The Beatles.”

In 2010, amid reports that the building could be sold, Abbey Road Studios was added to England’s List of Listed Buildings on the advice of the English Heritage charity. The crosswalk also became the first of its kind to be classified in the same year. Garvey said that means the building and its recording studios, especially the famous Studio Two, are virtually unchanged since the Beatles recorded there.

Abbey Road Studios remains at the forefront of technological and musical developments with its innovation arm, Abbey Road Red. Launched in 2015 as Europe’s first music-focused technology incubator, the program supports the efforts of entrepreneurs, developers and researchers. From an automated mastering platform to BrainRap, an AI-powered device that generates lyrics while an artist freestyle or sing, Abbey Road Red harnesses the scope and fame of the studio to foster a new wave inventions that will change the world of music.

A senior level computer science graduate from @uxbridgecollege is working with Abbey Road Studios to develop an AI (Artificial Intelligence) system to help artists write their lyrics.

Micah Brown, who graduated from the HND (Higher National Diploma) computer science course in 2009 and then moved on to the final year of a degree at Brunel University in London, entered the College to lecture on the invention “BrainRap “.

Micah also organized a visit to Abbey Road to demonstrate the technology for music students of the UAL Level 3 Extended Diploma in Music Performance and Production, and HND computer science students.

BrainRap – developed in partnership with deep learning engineer CJ Carr – “listens” and analyzes an artist’s work and generates suggested lyrics. The duo came up with the idea at a Massachusetts Institute of Technology (MIT) hackathon software development event, and the idea is now being developed at music technology incubator Abbey Road Red.

Dr Darrell DeSouza, CEO and Principal of the HCUC Group, said: “Micah’s energy and creativity is undoubtedly an inspiration, and it was fascinating to hear about the BrainRap invention and see it in action. This shows how an incredible range of opportunities can come from studying technical qualifications such as the HND in Computer Science at Uxbridge College, Harrow College and West London Institute of Technology.

Micah said: “It was so great to be back at Uxbridge College and meeting some of the students today and seeing the staff again as well. College has really helped me on my way, and without it I’m 100% sure I would never be where I am now.

Abbey Road has hosted some of the world’s most famous recordings including The Beatles, as well as Pink Floyd, Kate Bush, Kanye West, Amy Winehouse, Kylie, Muse, Sam Smith, Florence + The Machine, Ed Sheeran, Frank Ocean, Lady Gaga and Adele. He also paved the way for music technology with some of the key technological breakthroughs in music, including the invention of stereo sound by EMI engineer Alan Blumlein, patented in 1931.

Micah added, “BrainRap and its underlying neurosentment technology represent the future of the mental web – the ability to harness consciousness to enhance human-machine interaction in digital environments – in this case, music creation. “

BrainRap deconstructs both the phonetic characteristics and the literal meaning of words and phrases to come up with a series of related words and phrases. The artist can incorporate suggestions into their feed, use them for inspiration, or ignore them altogether.

The invention can also be used in conjunction with the “BrainBit” EEG headset, which monitors brain waves and links the data to the suggestion process.

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To post-metal core giants Architects have announced details of a worldwide exclusive live streaming event scheduled to take place next December.

Performing alongside the Parallax Orchestra, the band will present their ninth album topped the UK charts, For those who wish to exist, to life like never before via a full read back and forth. The legendary Abbey Road Studios, made famous around the world thanks to its association with the Beatles, will serve as a backdrop to this most unique live show.

Read more: Architects have a platform and they use it for big issues

The event will be previewed via Veep December 11, 2021, at Noon PT / 3 p.m. ET and will be available for 48 hours thereafter. Tickets are on sale now here.

The stream marks the second event in this type of live broadcast from the architects, following the 2020 performance at the world-famous Royal Albert Hall in West London. This recording was then pressed into a limited edition vinyl, which quickly sold out during pre-orders.

Read more: Spiritbox’s Courtney LaPlante discusses “Eternal Blue” album

Ahead of Abbey Road Studios premiere of the event on December 11, singer of Architects Sam carter sitting with Alternative press to discuss his personal connection to the place, bringing For those who wish to exist to the unique life and challenges of playing with a full orchestra …

As a music fan foremost, what does Abbey Road mean to you?

It’s such an important part of music not only in UK but all over the world. Some of the greatest and most important records of all time have been recorded there. It’s such a joy to even be allowed to enter the building, let alone check in there. It is a very special place; I still can’t believe we were able to create there.

Where does your personal connection to Abbey Road come from? You are a big Beatles guy, is this where you first discovered the studio and its importance in history?

For sure. I think one of the main things that got me so excited about The Beatles was their recording techniques. There was no editing or cutting or anything – they just went into a room and recorded. They were so amazing. There was some sort of magic in there. Part of what is so special about the place is its magic and ambiance. We’ve been to a lot of different studios around the world, and this is one of the few where you kind of feel the ghosts of the people who were there before you. You stand there, and you think of the music and lyrics that echoed off the walls around you – and they haven’t changed much since the 1960s and 1970s, either.

How was it the first time you went there? What struck you the most? Does that compare to the expectations you had in your head?

In fact, entering the building is crazy because there are still instruments that these massive bands used in the past. The first time we were there there were two pianos that the Beatles used on a bunch of their albums. I was sitting at one having a beer, and I put the bottle on top without thinking, and someone said to me, “You might want to move that – it’s John lennonyou are sitting at the piano! You walk the same hallways as the bigger ones, or you climb to the roof where the Beatles were seated before recording “Lucy In The Sky With Diamonds”.

Where did the idea to record come from? For those who wish to exist with an orchestra first came? Considering the increased prevalence of strings in your music over the past few years, have you ever thought of something as fully realized as this?

We had felt that the livestream we had done from the Royal Albert Hall [in 2020] was a really special event, so we always kept in mind the idea of ​​redoing something that was beyond normal for our fans. Earlier this year, we actually did a Q&A filmed at Abbey Road with Radio 1’s Daniel P. Carter, where we talked about making the album. When we were done I was talking to Dan [Searle, drums], and I said to him, “Imagine if we did the whole album side to side… with an orchestra. “

Dan said he thought it would be a hell of a job but something really fun and special. So we started to explore the idea. We managed to do that in the bigger room, at Studio One, which is a room where I think a lot of movie soundtracks were recorded – the Harry potter movie theater, Pirates of the Caribbean. Before we knew it, we were sitting in the middle surrounded by 30 or 40 musicians, all of whom are so much more talented than us, and we try to impress them!

When it came to composing the arrangements, was it a collaborative process?

Anyway, Parallax Orchestra had done a lot of work on the album, so Dan was able to work closely with them. For songs that didn’t have strings in the first place, that involved figuring out what the arrangements would be together. On others, it involved removing layers of electronics that are on studio recordings and replacing them with strings. For others, it was about inventing and creating entirely new things. It was super easy and a lot of fun.

The amount of strings on the disc was already very helpful as it meant we could add more as a starting point. It all seemed very natural. It was a very complete experience, however. It’s very intense to have so many musicians around you playing at the same time, especially when you then add a split on top of it. [Laughs.] I’ve listened to it a lot since then, and the intensity is there every time.

How difficult was it for you to work with as a singer? It must be very inconvenient for your own performance …

I had the orchestra in my headphone mix, but I lowered the levels a bit. I would have liked to have focused more on the orchestra, but I had to focus on my own performance at the time. I knew I could take advantage of the rest later. It was intimidating too, and it definitely took a few songs to really feel right at home with so many amazing musicians watching you screaming. [Laughs.]

Now that you’ve had the chance to listen to the event again, what are the moments that take your breath away?

I find it all very moving. It is the combination of these two worlds that I love so much. Not all groups have the opportunity to do what we did at Abbey Road – and not all groups have the courage to try to do it. So I’m also very proud of it. “Impermanence” and “Goliath” were really special; “Demi God” was already a really fun song with the strings that are on the record, so being in the room when that happens was also really amazing. It’s hard to hold back just a few moments, because for me every song has its own magical moments.

It is probably the most supervised recording studio in the world. You don’t just come in here to take a look. You must register and justify the reason for your registration. The curious can only look at it from the outside.

The corner of Abbey Road / Grove End Road and Garden Road is often on the must-see list for many music fans and London tourists. Because it was here, on the world-famous crosswalk in front of the studio, where John Lennon, Ringo Starr, Paul McCartney and George Harrison walked around in a bad mood on a sunny August day in 1969 several times.

This venture resulted in one of the most famous album covers of all time – and sealed the cult status of the recording studio that first opened on November 12, 1931.

It all started with classical music recordings

The London Symphony Orchestra recorded “Land of Hope and Glory” by composer Edward Elgar. It was the first sound recording made at Abbey Road Studios, which was then called EMI Recording Studios.

All of EMI’s classic recordings have been produced here – the vast majority of them under the direction of famous conductor, Yehudi Menuhin.

Popular music has also found its place here, pushed in the 1950s by a certain George Martin. As a producer he worked for the EMI Parlophone label, to which he gradually added jazz, comedy and finally pop music productions in addition to classical music productions.

George Martin with the Beatles during one of the first recording sessions for Parlophone

In 1962 he took the Beatles under his wing, and the rest is musical history. To this day, Abbey Road Studios is a renowned address for musicians of all genres from around the world.

Legendary studio 1

Behind the simple entrance opens a veritable labyrinth of production and control rooms. The centerpieces are the rooms of Studios 1 and 2 – where the global hits were created.

As a general rule, the Hallowed Halls at Abbey Road Studios are only accessible to those who need to produce a full album there and must be physically present there, and not those who aim to polish an album digitally.

Still, Cologne-based singer-songwriter Björn Heuser was fortunate enough to be invited there in 2018 to put the finishing touches on his album “Himmel Övver Kölle” (Heaven over Cologne).

“When you’re as music-crazy as I am and aware of everyone that’s been through that door – and suddenly I’m standing there with my new album in my bag under that Abbey Road lettering – it was quite a magical moment, ”he told DW.

In Cologne, singer-songwriter Björn Heuser fills large halls with his sing-along concerts

Luckily, Heuser sees the famous Studio 1 and sneaks in briefly; the door was open while it was being cleaned. Within seconds, the musician was caught up in the magic of this room, considered the mother of all recording studios in the world.

The hall, with parquet floors and light blue walls, breathed years of musical history: Stevie Wonder, Kanye West, Sting, U2, Queen, Massive Attack, Shirley Bassey and, of course, the Beatles. The who’s who of music has worked within these walls.

A must for music freaks

Old recording equipment, tape recorders and consoles line the aisles. “You just want to touch this on for a moment,” Heuser says. Even the smell is age-old, almost like Cologne Cathedral, without the incense, he says.

Although the Cologne singer-songwriter might not be a famous musician in London, and they are usually world-famous stars who usually hang out at Abbey Road Studios, Björn Heuser was greeted there on a rocky foot. equal and discussed with his sound engineer about the music and the peculiarities of the Cologne dialect.

After his visit to the studios, it was clear to Heuser that this was one of those things music freaks just had to experience.

LOS ANGELES, CA – Listed By: Holly Hatch, The Agency; Keven Stirdivant, Kase Immobilier

© Redfin.com

Perched high in those hills, this contemporary Studio City gem combines stunning mountain views with up-to-the-minute luxury. The 4,000 square foot home in the hills offers beautiful suites with mountain views, stylish furnishings, and luxury amenities like a full recording studio, media room, gym, bar and restaurant. elevator. Outside, admire the majesty of the mountains from a swimming pool, a giant courtyard with an outdoor kitchen, and an orchard of fruit trees.

Although this bucolic paradise offers privacy and tranquility, it is just minutes from the famous Ventura Boulevard shopping district.

• Address: 3656 Avenida Del Sol, Studio City, California.
• Price: $ 3,990,000
• Square feet: 3665
• Bedrooms: 4
• Bathrooms: 4.5
• Listing Description: Studio City’s most remarkable residence, perched in the hills awaits your coveted California living experience. The provocative architecture and design of each space makes it an artists dream. Breathtaking views of the city and the mountains restore the soul, nature creating the beautiful backdrop of the modern home, a truly unique experience. Soft tones and stylish amenities include Miele appliances, European wood floors, designer lighting, an artistically designed elevator, a lavish master suite, exceptional interiors, and a cozy fireplace with a spa like soaking tub and walk-in shower. steam room, en-suite bedrooms, full recording studio, media room with entertainment bar leading to the modern-style heated pool / spa and outdoor barbecue kitchen area, unparalleled and expansive backyard to relax in. entertaining, multiple fruit trees, immense privacy, full smart home experience with Control 4 everywhere, CCTV security system, gym, two car garage with three option and minutes from the Westside and upscale dining and shopping world along the famous Ventura Boulevard and just minutes from exceptional and highly regarded schools, awaiting your new dep art.

This list first appeared on redfin.com. For more information and photos, click here.

World-famous London studios Abbey Road are holding an open house until Sunday August 15 as part of their 90th anniversary celebrations.

“Abbey Road: Open House” gives visitors the opportunity to explore the three original recording rooms made famous by artists such as The Beatles, Pink Floyd, Kate Bush, Oasis, Kanye West, Adele, Ed Sheeran and Frank Ocean. See ticket availability here.

Beyond the studios, visitors will be able to access the control rooms and the famous Studio Two Echo Chamber, which have been in existence since 1931.

The open house also exhibits legendary recording consoles, equipment and instruments. According to a press document, this includes: “The illustrious EMI TG MK3 recording console, widely used on records since the late 1960s; the iconic ‘Mrs Mills’ piano used by artists throughout the history of the studios and made famous in the 1960s by artists such as The Zombies, Russ Conway and The Beatles; the iconic REDD.17 mixer, as well as gems like the recently acquired BTR3 and Mellotron tape recorder.

The above equipment is still used for recording sessions today.

Abbey Road: The open house has started today!

For just one week, we open our doors to the public and offer a rare glimpse inside the legendary studios.

Will you join us? There is a very limited number of tickets left: https://t.co/CARjyVx0ME pic.twitter.com/G9lwgiD2L2

– Abbey Road Studios (@AbbeyRoad) August 9, 2021

In addition, visitors will be able to learn about the studios’ rich history in film music. Demonstrations will highlight how music has been recorded for blockbusters ranging from The Lord of the Rings trilogy at The Raiders of the Lost Ark, some Harry potter franchise films and Oscar-winning music for Gravity and The shape of water.

Isabel Garvey, General Manager of Abbey Road Studios, said: “Celebrating 90 years of Abbey Road by inviting the public past no-entry signs is a truly exciting way for us to share the magic of building. Abbey Road: Open House is a rare and fascinating opportunity to discover the stories behind some of the greatest music that has been the soundtrack of our lives, in the very rooms where it was created.

Jack Franklin, Events Manager at Abbey Road Studios, added: “As a working studio the doors to Abbey Road are normally closed, so being able to share a rare glimpse inside our very special building is something. that excites us all. . With a project like this, the major challenge is selecting which parts of the story to tell – there’s so much history here that reducing it to a 90-minute experience is part of the fun of the job. I still remember the magic of entering the building for the first time, so we want to give our customers the same experience this summer. “

In related news, photographer and filmmaker Mary McCartney and daughter of Paul McCartney are set to make a new documentary about the famous studios.