The world’s most famous recording studio aims to celebrate the spirit of music scenes around the world with the launch of the first Abbey Road Studios Music Photography Awards (MPA). The new event is the first of its kind to recognize the art of music photography and will be judged by an esteemed global panel of industry creators. Photographers of all skill levels will be honored in a series of categories, beginning with the Hennessy Championing Scenes Award – a free-entry category highlighting the vibrancy of global subcultures and the people documenting the gritty underbelly of these burgeoning scenes. .

Among the judges is Simon Wheatley, an acclaimed photographer considered one of the most important chroniclers of London’s youth. He spent 12 years documenting grime culture and his book Don’t Call Me Urban! The Time of Grime, published in 2010, has been hailed as a classic of British documentary photography. “I had no idea what was going on, and I’m glad I didn’t because it gave me a purity that might have been compromised had I known I was capturing something precious” , Simon told Creative Boom.

“I was mesmerized by the brutality of this aggressive sound emanating from decaying concrete blocks. It was the voice of an underclass, Thatcher’s unwanted children living in a harsh individualistic world where the concept of ‘community ” had become so threatened. But despite this individualism, there was a legacy of unity that is no longer seen. Youth clubs were filled with people gathered in stairwells, street corners and squares . I miss it. The smartphone has reinforced this individualism and made us less communal. What has changed is the chaos in people’s lives.”

Since those days Simon has continued his work around the grime scene, as a photographer and filmmaker, and 2022 sees him gearing up to release a more comprehensive book that will cover the evolution of the genre to the present day. In 2018 he was asked to be the in-house photographer at Abbey Road Studios in London.

The Championing Scenes jury also includes acclaimed British photographer and filmmaker Rankin, Ghanaian-American artist and multidisciplinary creative Moses Sumney, visionary musician and DJ Shygirl from East London, legendary photography and Rockarchive founder Jill Furmanovsky, photographer musical pioneer Dana Scruggs, Rolling Stone Assistant Cinematographer Sacha Lecca and Abbey Road Studios Managing Director Isabel Garvey. As category sponsor, Hennessy will reward the Championing Scenes winner with a support package, including the opportunity to collaborate on an international project with the brand in 2023.

“I’m not just interested in the music itself, but where it comes from,” Simon says of the Awards. “Subcultures emerge from the cracks in society, and that’s what fascinates me the most. Grime reflected youthful discontent, and when I started hearing it, I wanted to grab the place of anguish and alienation from where he came from. I believe that a documentarian of the musical subculture should reveal the social texture of sound. I am delighted to celebrate other photographers’ ideas about the movements they document Grime was a big adventure – for me, that’s what photography has always been.

Alongside the Championing Scenes category, the Awards invite emerging and established photographers from around the world to participate in three other open-entry categories: The Studio Photography Award will celebrate images that capture the magic that happens when musicians come together to write, experience or record a Live Music Photography Award for images documenting live music moments in 2021 and the Undiscovered Photographer of the Year honoring top emerging and unsung talent.

Nominations for the Music Photography Awards are now open and can be submitted by photographers at all stages of their career via the official website website until midnight March 21, 2022. The winners of the nine categories will be announced and celebrated at an official ceremony on Saturday May 14, 2022, hosted at Abbey Road Studios.

TP Vision has announced an extension to the strategic partnership between premium European TV brand Philips and legendary Abbey Road Studios. Originally established in 2018, the extension of the agreement will see Philips continue to be the Official TV Partner and will also see Philips Ambilight TV sponsor the new Abbey Road Studios Global Music Photography Awards.

The partnership is based on TP Vision’s desire to work with the best specialist companies based in Europe and to find opportunities to present Philips Ambilight TVs as offering the best picture and sound quality performance.

Philips Ambilight TVs will continue to be the favorite TVs/monitors of award-winning engineers at Abbey Road Studios and will be used throughout the Abbey Road complex, allowing content to be viewed on the best TVs possible, while enabling Philips TV to test and develop its products in the toughest and most demanding environment.

The two brands will also continue to work together through joint promotions, content creation, events, social media activations and other marketing activities, including exclusive events at iconic London studios.

One of the first joint activities in 2022 will see Philips Ambilight TV supporting the first Abbey Road Studios Music Photography Award; which will become an annual global music photography competition celebrating the unforgettable, unique and unsung musical moments of each year and the photographers who captured them.

Capturing and recreating the smallest or largest live event in the most realistic and immersive way is at the heart of every Philips Ambilight TV. TP Vision is delighted to be able to support the creation of such content by sponsoring the Live Music Photography Award category and giving the winner the chance to enjoy the best television for themselves.

The winner of the Live Music Photography category will be able to enjoy the superior picture and sound performance of the multi-award winning Philips 55” OLED+936 TV.

Philips OLED+ models are widely recognized as the best TVs available on the market, with Philips developing all picture quality processing in-house, adding to the unique Ambilight experience and working with specialist audio legends Bowers & Wilkins to ensure Exceptional sound performance to match the stunning on-screen images. Multiple awards from across European media prove that today’s OLED+936 TV has moved performance boundaries and changed opinions about what constitutes the ultimate TV.

Philips TVs also add an extra element to their performance thanks to the company’s unique Ambilight technology where a series of constantly changing LED lights at the rear of the set cast a halo of colored light onto the wall behind – matching precisely to the images on the screen. and create a fully immersive viewing experience.

TP Vision and Abbey Road Studios have previously worked together on one-of-a-kind live performances from global talent, including teaming up with cellist Sheku Kanneh-Mason to produce a specially commissioned sound and light movement, ideally created to highlight the immersive performance of ‘Ambilight.

The result was exceptional picture and sound performance, delivered as a fully immersive viewing experience like no other.

Commenting on the renewal of the partnership, Martijn Smelt, Marketing Director of TP Vision, said: “Our exciting partnerships with iconic European brands, those who share our passion for quality performance, have become part of who we are. I’m delighted to announce our continued partnership with Abbey Road Studios and our support for the creation of the best content through Philips Ambilight TV’s sponsorship of the Music Photography Awards. It is a source of great pride for the company that Abbey Road Studios continues to recognize a similar culture of excellence at TP Vision, and that Philips continues to be their perfect TV partner.”

Legendary Abbey Road Studios has announced details of the the very first Music Photography Awardswhich will be held in the studios later this year.

The inaugural AMPs will feature the best and most striking musical photography of 2021, as voted on by a panel that includes david bowie photographer Rankin, Moses Sumney, Shygirl and rolling stoneSacha Lecca’s assistant cinematographer.

Along with a number of closed categories, entries are welcome from photographers around the world for the Studio, Live, Championing Scenes and Undiscovered Photographer of the Year awards.

Discussing the awards, Rankin, who leads the judging panel, said: “Throughout my career it has always been very important to me to support emerging and undiscovered talent in photography, so the opportunity to Partnering with one of the biggest and most prestigious music brands at Abbey Road Studios for this year’s first Music Photographer of the Year Awards is hugely exciting. “Music photography is an art form that doesn’t get the recognition it deserves, so it’s great to celebrate those working in the field with these awards. What I always look for with photography is a connection to the subject and music has been one of my main passions for as long as I can remember, so it’s a real thrill.

Check out all the categories from the inaugural Music Photography Awards below, with explanations of what they represent. They will take place at Abbey Road Studios in May, with an exact date to be determined.

Zeitgeist Award
“This category celebrates The Image that Defines Music in 2021.”

Champion Stages Awards
“This award will highlight the importance of grassroots movements by celebrating photographers documenting subcultural music scenes around the world.”

Live Music Photography Awards
“Capturing the image that defined live music in 2021.”

Studio Photography Award
“Exploring the Music Recording Process.”

Unknown Photographer of the Year
“We want to showcase the best upcoming photographers from all walks of life who are forging a path in music photography. Do you have a work to check out?”

INVITED CATEGORIES

Portrait Photography Awards
“A photograph that captures the spirit, essence and personality of the artist. Stylized, conceptual or candid, this is how the artist represents his work through visual imagery.

Editorial Photography Award
“Editorial photography tells a story with images. It can take the viewer on a journey, illuminate a written text, set the tone or present a highly evolved creative concept.

Artist Photography at Work Award
“A defining photograph that captures a moment of creativity at work – in the studio, on stage, backstage.”

Icon Price
“A special honor in recognition of an individual whose impact and contribution to the art of music photography is unparalleled.”

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There’s a story that floated in the hallowed halls of Abbey Road Studios in North West London for over a decade. It revolves around a group of studio engineers who have come together to listen to a famous recording by a pianist for the first time on the new Bowers & Wilkins 800 Series Diamond speakers.

The engineers had heard the recording before, but as the session progressed and the band strained their ears to pick up the detailed sounds from the brand new speakers, something started to happen. “Engineers discovered there was a sound they hadn’t been aware of before,” says Jeremy Huffelmann, managing director of Abbey Road Studios. “They first thought it was a fault in the speaker, but it became clear that what they were hearing for the first time was something else entirely.”

The phantom sound was described as a “weak tapping” by Andy Kerr, director of product marketing and communications at Bowers & Wilkins. Andy says the company engineers were asked to come in more than once to measure and re-measure the Diamond 800 series speakers to ensure there was no distortion resulting from a misaligned placement or a faulty transducer.

After their third trip to Abbey Road studios, the Bowers & Wilkins team finally had the engineers play back the recording so they could hear that spectral crackle for themselves. They pressed play, and of course there was the sound: a faint dull click like a pencil eraser tapping on a piece of paper. “It’s really weak, and the engineers turned to each other and said, ‘What is this?’ said Kerr. “And what it ended up being was the pianist’s cufflinks hitting the keys as the piano played. No one had ever heard that before.”

That the Bowers & Wilkins 800 Series Diamond could produce such incredible clarity and detail came as no surprise to the Abbey Road team. They’ve used speakers from the 55-year-old British audio company since 1982, a 40-year relationship that has produced countless pieces of iconic music and made the speakers a fiercely preferred standard for the exceptionally talented behind the boards of Abbey Road Studios.

“When you talk to engineers about why they trust Bowers & Wilkins loudspeakers so much, they talk about detail and precision. When they listen, they can visualize in their minds where they placed the microphones in that room, they can audibly ‘see’ where the instruments are.” says Huffelmann. “This level of detail gives you the confidence to know that whatever is being performed is being captured and relayed as accurately as possible.”

Each space which includes the studio apartments of the 3 Abbey Road studios expresses itself differently, bringing its own sonic signature to everything recorded. Studio One’s drama and depth make it a favorite of composers like Howard Shore and John Williams, the talents behind The Lord of the Rings and star wars scores, respectively. “The first time we heard the main theme of star wars As it was being recorded, everyone in the control room just got goosebumps,” says Andrew Dudman, Principal Sound Engineer at Abbey Road Studios, who had the pleasure of working with Shore and Williams on these scores. headlights.

The iconic Studio Two has a slightly smaller space where illustrious artists from the Beatles and Radiohead to newer acts like Wolf Alice, Sam Smith and Black Pumas have recorded; and Studio Three is a more intimate setting that has been graced by one-of-a-kind singers from Amy Winehouse to Florence Welch.

The real magic of Abbey Road Studios comes from the convergence of engineering talents like Dudman who are behind the alchemy of mixing and mastering, and the high fidelity tools at their disposal. “With Bowers & Wilkins speakers, you can identify where the sound is placed, where the instruments are across the sound field,” says Dudman “The detail is crazy.”

The Bowers & Wilkins sound was first heard at Abbey Road studios over 40 years ago. In 1980, John Bowers and his chief acoustic engineer Steve Roe personally delivered a pair of 801 loudspeakers to the studio and demonstrated them. As Andy Kerr tells the story, after about 10 minutes of listening, “The Abbey Road Studios [team] told them something like, ‘Yeah it’s okay, you can leave them here.’ The speakers remained, and have been there ever since, a carefully crafted symbol of the enduring bond between Bowers & Wilkins and Abbey Road Studios.

At the heart of the relationship between the two teams is the pursuit of a single concept: True Sound. True Sound is the acoustic principle that underpins everything Bowers & Wilkins stands for. According to this philosophy, speakers should neither add to nor take away from a recording. “A loudspeaker is the primary means by which any engineer or producer is going to hear something. It’s the only means of transmission, so it must be good,” says Chris Parker, assistant engineer at Abbey Road Studios. “And if you notice a speaker in a room and say, ‘Wow, those speakers are X or Y,’ then that’s usually not a good thing.”

The Bowers & Wilkins speakers found in Abbey Road studios are renowned for disappearing into the background of the recording studio, serving as a seamless link between artist and engineer that can deliver results. incredible. Chris worked on Little Simz’ harrowing 2021 album Sometimes I could be introverted which was recorded in Studio One and Two. Simz and producer Inflo wanted to give the record a great theatrical quality, so they recorded the strings and horns in Studio One while the drum sessions took place in Studio Two. (Chris calls Studio Two the “best sounding drum room in the world.”)

The pursuit of True Sound is a feedback loop between engineers at places like Abbey Road Studios and the Bowers & Wilkins team, who are constantly looking for ways to improve their technology. “They’re listening. If we say, ‘Oh, this needs adjusting’, Bowers & Wilkins say, ‘Okay, we’ll adjust this,'” says Sean Magee, senior mastering engineer and veteran of Abbey Road Studios for over 25 years. “When they brought in the 800 D3s and we gave them grades, they redesigned it and we were able to add to that process. And then the next-gen D4s came out, and it’s clear they had listened.

This deeply rooted acoustic philosophy flows consistently from professional-grade reference monitors such as the 800 Series Diamond through to the entry-level 600 Series range, Formation wireless speakers, and more recently the new Zeppelin wireless speaker, recognized as Rolling Stone Essentials 2021. – Best smart speaker. “Every product we make, from the minute it’s designed to the minute it’s sold, is built on this True Sound philosophy,” says Giles Pocock, vice president of brand marketing at Bowers & Wilkins. “This DNA isn’t just about the professional, studio-grade monitors we make; it applies to the entire family of products, whether headphones, wireless speakers or in-car audio systems. »

The intertwined history of Abbey Road Studios and Bowers & Wilkins testifies to this guiding belief. After more than 40 years of giving artists, musicians and engineers the opportunity to hear the true nature of their creative output, the feedback loop that drives both institutions to strive for perfection drives the industry forward, whether it’s be it capturing the magnificence of a symphony orchestra or unearthing the phantom tapping of a pair of cufflinks on a legendary recording.

Find out more about the special 40-year relationship between the two legendary musical institutions below, in a new short film from Bowers & Wilkins. where the music begins offers an intimate look inside Abbey Road Studios and how Bowers & Wilkins loudspeakers have become synonymous with the distinctive sound of iconic studios.

Famous music recording studio Abbey Road Studios expand their legacy with all of its latest technological advancements and services.

Abbey Road Studio, formerly known as EMI Studios, is a famous music recording studio located in London, United Kingdom. The English rock band “The Beatles”, very popular in the rock industry, named the studio after their eleventh studio album released in September 1969. Previously, Abbey Road was just the name of the street where find the studio.

Story

The history of the Abbey Road studio dates back to 1929 when musical recordings were still made by wax disc. The Gramophone Company bought the land for the nine-bedroom house with a large garden and built the world’s first recording studio. The Gramophone company later merged with the electrical and music industries, thus naming the studio after EMI recording studios.

The Abbey Road Music Recording Studio was officially opened in 1939 with the performance of Sir Edward Elgar’s Land of Hope and Glory. The studio with its grand opening went on to feature classical and orchestral legends like Sir Thomas Beecham, Maria Callas, Geoff Love and many more.

Abbey Road is a studio that has defined generation after generation and provided us with world renowned artists. The 1940s were defined by dance and jazz artists like Joe Loss Orchestra and Glenn Miller and the 1960s pop charts were defined by Ravi Shankar, Cilla Black and many other famous artists. The Beatles, however, recorded their 190 out of 210 songs in the studio between 1962 and 1970. They had a great influence on the studio as they changed the studio and its culture forever. The three-hour studio sessions lasted all night as they pushed experimentation beyond the limits with their creativity.

Contribution of new technologies

It was at Abbey Road that the concept of stereo music was invented by master Alan Blumlein when he patented ‘Binaural’, which means listening with two ears. The Record Engineering Development Department was introduced by engineer Len Page in 1955 to meet the needs of the various artists and music producers using the rooms, developing their first mixing desks.

It was also at Abbey Road that the concept of Artificial Double Tracking (ADT) was discovered by Ken Townsend, who was an engineer at the studio.

The mastering heritage has always been a special aspect of Abbey Road Studios as it consists of several mastering suites, combining an unrivaled selection of classic analogue and modern digital equipment. From the early 1970s until today, many well-known artists have chosen their music to be recorded there. From George Harrison to Lady Gaga, everyone is fond of Abbey Studio.

Workshop Sections

Abbey Road has a lot to offer as having the chance to record or even work on a project is a dream come true for any artist and producer. They are available with large spaces and segments ranging from Studio One, Two, Three to their latest additions of The Gatehouse and the Front Room. Emerging talent from around the world is welcome at Abbey Road and for them it is exciting to use the legendary studio equipped with all the modern equipment needed for excellent production. The Penthouse offers flexibility for every type of project.

Studio 1 – it is the largest purpose-built recording studio in the world where it can comfortably accommodate a large orchestral symphony or choir.

Studio 2-It is their most famous studio which offers a unique design, modern cubicles, warm acoustics and an unparalleled history has made it the most sought after studio in the world.

Studio Three – This is the ideal large room for mixing sessions and a substantial living room. It also offers isolation booths for vocal and instrumental recordings.

The Penthouse – The Penthouse is a modern studio for versatile mixing projects. This is a completely different studio space than previous ones as it is fully accredited for Dolby ATMOShome entertainment projects. It is dedicated to high-end musical productions.

The gatehouse – It is absolutely perfect for a small group or vocal artists who are looking for state-of-the-art technological equipment with a control room and a mixing desk.

The road ahead – The studio was designed for smaller scale recordings and writing sessions. It is designed to allow a wider range of customers to benefit from Abbey Road’s unique inspiring atmosphere.

Abbey Road studio has been contributing for the past 40 years, their excellence in film music has made the studio the world’s premier destination for all types of projects. Projects like Raiders of the Lost Ark, The Lord of the Rings, The Harry Potter Series, Avengers: Endgame, etc. have been well rated and mastered in this very popular studio. The studio is a place where artists come to get inspiration for their brand new productions and this particular studio has been the hallowed ground for many world famous artists who have started their golden journey to greatness.

Jennifer Stone turned her love of music to writing. She is one of the writers of Daily Music Roll and indulges in creating positive reviews, music blogs and music press releases for various artists here.

LONDON – Abbey Road Studios, the legendary heart of The Beatles’ music catalog, celebrated its 90th anniversary this month.

A number of other famous artists – from Pink Floyd to Adele – have also used the recording studio. But it’s the Beatles and their chart-topping 1969 album – named after the street in London where the studio is located – that the venue is most closely associated with.

“I remember being pretty nervous most of the time in the recording studio, but also very excited – nervous excitement. It was fantastic to be in Abbey Road,” said Paul McCartney, according to the Autobiography of Beatles in 2000, “The Beatles Anthology.”

“We lived there,” he added. “I loved it so much that I even had a house around the corner. I never wanted to leave.”

To celebrate nine decades of recording music, Abbey Road Studios hosted a two-day festival this month dedicated to the next generation of music makers. The festival featured panels and other events covering a range of topics, from how to become a music producer or engineer, to the business of music publishing. While looking to the future, this milestone anniversary was also an opportunity for Beatles fans to remember the studio’s important place in musical history.

Abbey Road Studios, formerly EMI Recording Studios, opened on November 12, 1931. The Gramophone Company, one of the UK’s first record companies, had purchased a nine-bedroom house on Abbey Road in the north of London, in St. John’s Wood. neighborhood in 1929 and spent two years turning it into “the world’s first purpose-built recording studio,” according to the Abbey Road Studios website.

The Gramophone Company merged with the Columbia Graphophone Company in 1931, becoming Electric Musical Industries (EMI). The recording studio was renamed in the 1970s in honor of the Beatles’ album “Abbey Road”.

Over the years, Abbey Road Studios has been an integral part of many beloved film scores including “Indiana Jones: Raiders of the Lost Ark”, “The Lord of the Rings”, “Harry Potter”, “Star Wars” “,” Skyfall, “” Gravity “and” Black Panther “.

Lester Smith, the keeper of Abbey Road Studios’ impressive collection of microphones for the past 50 years, recalls working on the 2010 Oscar-winning film “The King’s Speech” with veteran sound engineer Peter Cobbin , who requested the microphone used by King George of Great Britain. VI.

“There were actually five microphones, and Peter asked me to try to get them to work,” Smith said in a statement earlier this month. “After being silent for 70 years, this was a very special occasion to try.”

Abbey Road Studios is also credited with important technological creations. Stereophonic, or stereo, sound was invented in the 1930s by Alan Blumlein, electronic engineer at EMI. Artificial Dual Track (ADT), a revolutionary technology that helps enhance vocals or instruments while mixing, was invented specifically for the Beatles in 1966 by Ken Townsend, sound engineer at EMI.

“There are composers who can hear if something was recorded at Abbey Road because it has such a distinct sound,” Isabel Garvey, general manager of Abbey Road Studios, told ABC News Wednesday.

Today, Abbey Road Studios not only makes musical magic, but is also a place of pilgrimage for generations of Beatles fans. Every day, people from all over the world come to cross the famous Abbey Road level crossing, as depicted on the iconic album cover art, and pay tribute to the band by writing on a graffiti wall in front of the studio building, which repaints itself. every few months to make room for new messages.

“The gravitational pull to Abbey Road is global,” Garvey said, “and it’s not just for The Beatles.”

In 2010, amid reports that the building could be sold, Abbey Road Studios was added to England’s List of Listed Buildings on the advice of the English Heritage charity. The crosswalk also became the first of its kind to be classified in the same year. Garvey said that means the building and its recording studios, especially the famous Studio Two, are virtually unchanged since the Beatles recorded there.

Abbey Road Studios remains at the forefront of technological and musical developments with its innovation arm, Abbey Road Red. Launched in 2015 as Europe’s first music-focused technology incubator, the program supports the efforts of entrepreneurs, developers and researchers. From an automated mastering platform to BrainRap, an AI-powered device that generates lyrics while an artist freestyle or sing, Abbey Road Red harnesses the scope and fame of the studio to foster a new wave inventions that will change the world of music.

A senior level computer science graduate from @uxbridgecollege is working with Abbey Road Studios to develop an AI (Artificial Intelligence) system to help artists write their lyrics.

Micah Brown, who graduated from the HND (Higher National Diploma) computer science course in 2009 and then moved on to the final year of a degree at Brunel University in London, entered the College to lecture on the invention “BrainRap “.

Micah also organized a visit to Abbey Road to demonstrate the technology for music students of the UAL Level 3 Extended Diploma in Music Performance and Production, and HND computer science students.

BrainRap – developed in partnership with deep learning engineer CJ Carr – “listens” and analyzes an artist’s work and generates suggested lyrics. The duo came up with the idea at a Massachusetts Institute of Technology (MIT) hackathon software development event, and the idea is now being developed at music technology incubator Abbey Road Red.

Dr Darrell DeSouza, CEO and Principal of the HCUC Group, said: “Micah’s energy and creativity is undoubtedly an inspiration, and it was fascinating to hear about the BrainRap invention and see it in action. This shows how an incredible range of opportunities can come from studying technical qualifications such as the HND in Computer Science at Uxbridge College, Harrow College and West London Institute of Technology.

Micah said: “It was so great to be back at Uxbridge College and meeting some of the students today and seeing the staff again as well. College has really helped me on my way, and without it I’m 100% sure I would never be where I am now.

Abbey Road has hosted some of the world’s most famous recordings including The Beatles, as well as Pink Floyd, Kate Bush, Kanye West, Amy Winehouse, Kylie, Muse, Sam Smith, Florence + The Machine, Ed Sheeran, Frank Ocean, Lady Gaga and Adele. He also paved the way for music technology with some of the key technological breakthroughs in music, including the invention of stereo sound by EMI engineer Alan Blumlein, patented in 1931.

Micah added, “BrainRap and its underlying neurosentment technology represent the future of the mental web – the ability to harness consciousness to enhance human-machine interaction in digital environments – in this case, music creation. “

BrainRap deconstructs both the phonetic characteristics and the literal meaning of words and phrases to come up with a series of related words and phrases. The artist can incorporate suggestions into their feed, use them for inspiration, or ignore them altogether.

The invention can also be used in conjunction with the “BrainBit” EEG headset, which monitors brain waves and links the data to the suggestion process.

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To post-metal core giants Architects have announced details of a worldwide exclusive live streaming event scheduled to take place next December.

Performing alongside the Parallax Orchestra, the band will present their ninth album topped the UK charts, For those who wish to exist, to life like never before via a full read back and forth. The legendary Abbey Road Studios, made famous around the world thanks to its association with the Beatles, will serve as a backdrop to this most unique live show.

Read more: Architects have a platform and they use it for big issues

The event will be previewed via Veep December 11, 2021, at Noon PT / 3 p.m. ET and will be available for 48 hours thereafter. Tickets are on sale now here.

The stream marks the second event in this type of live broadcast from the architects, following the 2020 performance at the world-famous Royal Albert Hall in West London. This recording was then pressed into a limited edition vinyl, which quickly sold out during pre-orders.

Read more: Spiritbox’s Courtney LaPlante discusses “Eternal Blue” album

Ahead of Abbey Road Studios premiere of the event on December 11, singer of Architects Sam carter sitting with Alternative press to discuss his personal connection to the place, bringing For those who wish to exist to the unique life and challenges of playing with a full orchestra …

As a music fan foremost, what does Abbey Road mean to you?

It’s such an important part of music not only in UK but all over the world. Some of the greatest and most important records of all time have been recorded there. It’s such a joy to even be allowed to enter the building, let alone check in there. It is a very special place; I still can’t believe we were able to create there.

Where does your personal connection to Abbey Road come from? You are a big Beatles guy, is this where you first discovered the studio and its importance in history?

For sure. I think one of the main things that got me so excited about The Beatles was their recording techniques. There was no editing or cutting or anything – they just went into a room and recorded. They were so amazing. There was some sort of magic in there. Part of what is so special about the place is its magic and ambiance. We’ve been to a lot of different studios around the world, and this is one of the few where you kind of feel the ghosts of the people who were there before you. You stand there, and you think of the music and lyrics that echoed off the walls around you – and they haven’t changed much since the 1960s and 1970s, either.

How was it the first time you went there? What struck you the most? Does that compare to the expectations you had in your head?

In fact, entering the building is crazy because there are still instruments that these massive bands used in the past. The first time we were there there were two pianos that the Beatles used on a bunch of their albums. I was sitting at one having a beer, and I put the bottle on top without thinking, and someone said to me, “You might want to move that – it’s John lennonyou are sitting at the piano! You walk the same hallways as the bigger ones, or you climb to the roof where the Beatles were seated before recording “Lucy In The Sky With Diamonds”.

Where did the idea to record come from? For those who wish to exist with an orchestra first came? Considering the increased prevalence of strings in your music over the past few years, have you ever thought of something as fully realized as this?

We had felt that the livestream we had done from the Royal Albert Hall [in 2020] was a really special event, so we always kept in mind the idea of ​​redoing something that was beyond normal for our fans. Earlier this year, we actually did a Q&A filmed at Abbey Road with Radio 1’s Daniel P. Carter, where we talked about making the album. When we were done I was talking to Dan [Searle, drums], and I said to him, “Imagine if we did the whole album side to side… with an orchestra. “

Dan said he thought it would be a hell of a job but something really fun and special. So we started to explore the idea. We managed to do that in the bigger room, at Studio One, which is a room where I think a lot of movie soundtracks were recorded – the Harry potter movie theater, Pirates of the Caribbean. Before we knew it, we were sitting in the middle surrounded by 30 or 40 musicians, all of whom are so much more talented than us, and we try to impress them!

When it came to composing the arrangements, was it a collaborative process?

Anyway, Parallax Orchestra had done a lot of work on the album, so Dan was able to work closely with them. For songs that didn’t have strings in the first place, that involved figuring out what the arrangements would be together. On others, it involved removing layers of electronics that are on studio recordings and replacing them with strings. For others, it was about inventing and creating entirely new things. It was super easy and a lot of fun.

The amount of strings on the disc was already very helpful as it meant we could add more as a starting point. It all seemed very natural. It was a very complete experience, however. It’s very intense to have so many musicians around you playing at the same time, especially when you then add a split on top of it. [Laughs.] I’ve listened to it a lot since then, and the intensity is there every time.

How difficult was it for you to work with as a singer? It must be very inconvenient for your own performance …

I had the orchestra in my headphone mix, but I lowered the levels a bit. I would have liked to have focused more on the orchestra, but I had to focus on my own performance at the time. I knew I could take advantage of the rest later. It was intimidating too, and it definitely took a few songs to really feel right at home with so many amazing musicians watching you screaming. [Laughs.]

Now that you’ve had the chance to listen to the event again, what are the moments that take your breath away?

I find it all very moving. It is the combination of these two worlds that I love so much. Not all groups have the opportunity to do what we did at Abbey Road – and not all groups have the courage to try to do it. So I’m also very proud of it. “Impermanence” and “Goliath” were really special; “Demi God” was already a really fun song with the strings that are on the record, so being in the room when that happens was also really amazing. It’s hard to hold back just a few moments, because for me every song has its own magical moments.

London’s Abbey Road Studios, where The Beatles, Pink Floyd, Amy Winehouse and Adele have made legendary recordings, are celebrating their 90th anniversary this week with a festival of events for the next generation of music makers.

Two days of panels, listening sessions and lectures for beginners in the industry will cover topics ranging from how to become a producer or engineer to understanding music publishing.

The “Amplify” festival, where guest speakers include record producer Steve Mac, composers Steven Price and James Newton Howard, among others, follows other events earlier this week to mark the anniversary, including parties listening and a photography panel.

“We stand on the shoulders of giants, we have had so many amazing names across this place so we have to celebrate this,” Isabel Garvey, general manager of Abbey Road Studios, told Reuters.

“The next two days are about: we know people love coming to the studio, but what the future holds, how the recording process evolves, how the future of an artist evolves, how technology evolves.”

Although it has hosted a long list of famous names and produced soundtracks for films such as “Star Wars” and “Indiana Jones”, Abbey Road Studios is also known for its innovation in music recording technology. .

On Thursday at Studio Three, a range of new creative tools were showcased, including BrainRap, which listens to an artist sing or freestyle and immediately suggests words.
Built as a Georgian townhouse in 1831, no. 3 Abbey Road was converted to studios in 1929. It became EMI Recording Studios two years later.

“How are we going to be so famous in 90 years? We have to capture the hearts and minds of the next generation,” Garvey said.
“We have to be really relevant, we have to know how the technology is changing, how the world outside of us is changing and keep going.”

It is probably the most supervised recording studio in the world. You don’t just come in here to take a look. You must register and justify the reason for your registration. The curious can only look at it from the outside.

The corner of Abbey Road / Grove End Road and Garden Road is often on the must-see list for many music fans and London tourists. Because it was here, on the world-famous crosswalk in front of the studio, where John Lennon, Ringo Starr, Paul McCartney and George Harrison walked around in a bad mood on a sunny August day in 1969 several times.

This venture resulted in one of the most famous album covers of all time – and sealed the cult status of the recording studio that first opened on November 12, 1931.

It all started with classical music recordings

The London Symphony Orchestra recorded “Land of Hope and Glory” by composer Edward Elgar. It was the first sound recording made at Abbey Road Studios, which was then called EMI Recording Studios.

All of EMI’s classic recordings have been produced here – the vast majority of them under the direction of famous conductor, Yehudi Menuhin.

Popular music has also found its place here, pushed in the 1950s by a certain George Martin. As a producer he worked for the EMI Parlophone label, to which he gradually added jazz, comedy and finally pop music productions in addition to classical music productions.

George Martin with the Beatles during one of the first recording sessions for Parlophone

In 1962 he took the Beatles under his wing, and the rest is musical history. To this day, Abbey Road Studios is a renowned address for musicians of all genres from around the world.

Legendary studio 1

Behind the simple entrance opens a veritable labyrinth of production and control rooms. The centerpieces are the rooms of Studios 1 and 2 – where the global hits were created.

As a general rule, the Hallowed Halls at Abbey Road Studios are only accessible to those who need to produce a full album there and must be physically present there, and not those who aim to polish an album digitally.

Still, Cologne-based singer-songwriter Björn Heuser was fortunate enough to be invited there in 2018 to put the finishing touches on his album “Himmel Övver Kölle” (Heaven over Cologne).

“When you’re as music-crazy as I am and aware of everyone that’s been through that door – and suddenly I’m standing there with my new album in my bag under that Abbey Road lettering – it was quite a magical moment, ”he told DW.

In Cologne, singer-songwriter Björn Heuser fills large halls with his sing-along concerts

Luckily, Heuser sees the famous Studio 1 and sneaks in briefly; the door was open while it was being cleaned. Within seconds, the musician was caught up in the magic of this room, considered the mother of all recording studios in the world.

The hall, with parquet floors and light blue walls, breathed years of musical history: Stevie Wonder, Kanye West, Sting, U2, Queen, Massive Attack, Shirley Bassey and, of course, the Beatles. The who’s who of music has worked within these walls.

A must for music freaks

Old recording equipment, tape recorders and consoles line the aisles. “You just want to touch this on for a moment,” Heuser says. Even the smell is age-old, almost like Cologne Cathedral, without the incense, he says.

Although the Cologne singer-songwriter might not be a famous musician in London, and they are usually world-famous stars who usually hang out at Abbey Road Studios, Björn Heuser was greeted there on a rocky foot. equal and discussed with his sound engineer about the music and the peculiarities of the Cologne dialect.

After his visit to the studios, it was clear to Heuser that this was one of those things music freaks just had to experience.