Music group – Recording Studio London http://recordingstudiolondon.co.uk/ Fri, 26 Nov 2021 07:04:24 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://recordingstudiolondon.co.uk/wp-content/uploads/2021/10/icon-23.png Music group – Recording Studio London http://recordingstudiolondon.co.uk/ 32 32 Muhlenberg Mission group raises funds for instruments | New https://recordingstudiolondon.co.uk/muhlenberg-mission-group-raises-funds-for-instruments-new/ Fri, 26 Nov 2021 06:00:00 +0000 https://recordingstudiolondon.co.uk/muhlenberg-mission-group-raises-funds-for-instruments-new/ People have traveled from near and far to support an effort to provide musical instruments and lessons to children in Muhlenberg County through the Muhlenberg Musical Mission. A benefit concert packed the Palace Theater in Greenville on November 20 and featured local and regional musicians playing. The Muhlenberg Music Mission is the brainchild of Ben […]]]>

People have traveled from near and far to support an effort to provide musical instruments and lessons to children in Muhlenberg County through the Muhlenberg Musical Mission. A benefit concert packed the Palace Theater in Greenville on November 20 and featured local and regional musicians playing.

The Muhlenberg Music Mission is the brainchild of Ben Duvall, owner of Sip & Spin Coffee in Greenville, and Benjamin Tod, a renowned singer-songwriter who lives in the county. Their goal is to create a place where local children can access instruments and lessons, and breathe new life into the county’s musical traditions.

Muhlenberg County’s rich musical heritage is what inspired Duvall and Tod to start this project. Strong ties bind the history of local music to international musicians like the Everly Brothers, John Prine and Merle Travis. Fostering this heritage and providing musical opportunities for county children is the goal of the mission.

Ties with the county also spanned the musical programming of the sold-out benefit show. Kentucky Shine features Central City guitarist and singer Jordan Wood. CJ Sparks is an aspiring singer-songwriter from Greenville, and Ashley Mae and Benjamin Tod of the Lost Dog Street Band also live in the county.

Owensboro-based Kentucky Shine brought the night to life with traditional bluegrass music, fresh out of their album release night the night before at the Owensboro Bluegrass Music Hall of Fame. Their rendition of Bill Monroe’s “Kentucky Waltz” was remarkable.

Multi-instrumentalist Matt Heckler played violin, banjo and guitar as he sang, performing songs about coal mining, the Civil War and even some with an Irish twist. Heckler is originally from North Carolina and has performed with the Lost Dog Street Band on tour.

Lost Dog Street Band performed a set of their original songs, filled with nostalgia, loneliness, love and loss. Many in the crowd had come from out of town and out of state to see the band, whose 2019 album “Weight of a Trigger” reached No. 5 on Billboard’s Bluegrass charts.

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A fan said he traveled from Kansas City, Missouri to see the duo and be part of the Muhlenberg Music Mission.

A musical memorabilia auction was held before the concert, with prizes such as an autographed copy of John Prine’s latest album fetching considerable sums. An autographed press test of an upcoming album by Lost Dog Street Band was auctioned for over $ 1,000 during the concert.

Duvall, who is president of Muhlenberg Music Mission, said that between the ticket sale and the auction, the nonprofit raised more than $ 19,000 to be used to purchase instruments and equipment.

“We hope to start receiving applications and teaching no later than spring 2022,” said Duvall. “Muhlenberg’s Musical Mission would like to thank everyone who helped put us on the right path to making the musical future of the children of Muhlenberg County a little brighter. “

Duvall said the generosity of those who donated and the hard work of the volunteers to make the concert a success is greatly appreciated. “We couldn’t have done this without you, the donors. I would like to especially thank the Board of Directors, the artists and everyone who gave countless hours to make this event possible. “


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Tencent Music Entertainment Group (NYSE: TME) given average rating of “Keep” by brokerage firms https://recordingstudiolondon.co.uk/tencent-music-entertainment-group-nyse-tme-given-average-rating-of-keep-by-brokerage-firms/ Mon, 22 Nov 2021 06:45:13 +0000 https://recordingstudiolondon.co.uk/tencent-music-entertainment-group-nyse-tme-given-average-rating-of-keep-by-brokerage-firms/ Shares of Tencent Music Entertainment Group (NYSE: TME) received an average rating of “Hold” from the eighteen rating companies that hedge the stock, Marketbeat Ratings reports. Two investment analysts rated the stock with a sell recommendation, ten gave a hold recommendation and five gave the company a buy recommendation. The one-year average price target among […]]]>

Shares of Tencent Music Entertainment Group (NYSE: TME) received an average rating of “Hold” from the eighteen rating companies that hedge the stock, Marketbeat Ratings reports. Two investment analysts rated the stock with a sell recommendation, ten gave a hold recommendation and five gave the company a buy recommendation. The one-year average price target among brokers who issued ratings on the stock in the past year is $ 15.82.

A number of equity analysts have recently commented on TME stocks. JPMorgan Chase & Co. downgraded Tencent Music Entertainment Group from an “overweight” rating to a “neutral” rating in a report released on Wednesday, August 11. Loop Capital downgraded Tencent Music Entertainment Group from a “buy” rating to a “keep” rating and lowered its price target for the company from $ 17.00 to $ 10.00 in a research report on Monday, September 13. TheStreet downgraded Tencent Music Entertainment Group from a “c-” rating to a “d +” rating in a research report released Thursday, August 12. HSBC downgraded Tencent Music Entertainment Group from a “buy” rating to a “keep” rating and set a target price of $ 8.00 for the stock. in a research note on Tuesday August 17. Ultimately, Zacks investment research upgraded Tencent Music Entertainment Group from a “sell” rating to a “conservation” rating in a Wednesday, October 20 research note.

Several hedge funds and other institutional investors have recently changed their positions in the company. JJJ Advisors Inc. increased its position in shares of Tencent Music Entertainment Group by 422.1% in the third quarter. JJJ Advisors Inc. now owns 3,404 shares of the company valued at $ 25,000 after purchasing an additional 2,752 shares in the last quarter. Lindbrook Capital LLC increased its stake in Tencent Music Entertainment Group shares by 281.1% during the second quarter. Lindbrook Capital LLC now owns 2,317 shares of the company valued at $ 36,000 after purchasing an additional 1,709 shares in the last quarter. Advisors Asset Management Inc. increased its stake in shares of Tencent Music Entertainment Group by 113.6% during the second quarter. Advisors Asset Management Inc. now owns 2,320 shares of the company valued at $ 36,000 after purchasing an additional 1,234 shares in the last quarter. Cullen Frost Bankers Inc. purchased a new equity stake in Tencent Music Entertainment Group in the second quarter valued at $ 38,000. Finally, Steward Partners Investment Advisory LLC purchased a new stake in Tencent Music Entertainment Group shares in the second quarter valued at $ 39,000. Institutional investors hold 28.05% of the shares of the company.

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TME stock opened at $ 7.62 on Monday. Tencent Music Entertainment Group has a twelve-month low of $ 6.82 and a twelve-month high of $ 32.25. The company has a current ratio of 2.62, a quick ratio of 2.87 and a debt ratio of 0.10. The company has a 50-day simple moving average of $ 7.82 and a 200-day simple moving average of $ 10.99. The company has a market cap of $ 12.78 billion, a P / E ratio of 22.41, a PEG ratio of 9.32 and a beta of 1.11.

Tencent Music Entertainment Group (NYSE: TME) last released its results on Sunday, November 7. The company reported earnings per share of $ 0.61 for the quarter, beating the consensus estimate of $ 0.06 by Thomson Reuters by $ 0.55. The company posted revenue of $ 7.81 billion for the quarter, compared to analysts’ estimates of $ 7.80 billion. Tencent Music Entertainment Group reported a return on equity of 7.98% and a net margin of 11.53%. Tencent Music Entertainment Group revenue increased 3.0% compared to the same quarter last year. In the same quarter of the previous year, the company made a profit of $ 0.11 per share. Research analysts predict Tencent Music Entertainment Group will post 0.28 EPS for the current fiscal year.

Tencent Music Entertainment Group Company Profile

Tencent Music Entertainment Group operates an online music entertainment platform. Its platform includes online music, online karaoke, and music-focused live streaming products. The company was founded on June 6, 2012 and is headquartered in Beijing, China.

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Several Belizean artists sign contracts with the famous Universal Music Group label https://recordingstudiolondon.co.uk/several-belizean-artists-sign-contracts-with-the-famous-universal-music-group-label/ Sat, 20 Nov 2021 02:43:00 +0000 https://recordingstudiolondon.co.uk/several-belizean-artists-sign-contracts-with-the-famous-universal-music-group-label/ Views : 164 Posted: Friday November 19, 2021. 8:43 PM CST. By BBN staff: Today was a historic day for music in Belize, as several Belizean artists signed contracts to join the major international label, Universal Music Group (UMG). Supa G, Ty, Deja, Mailyn Vansen and Stig da Artist were all signed to UMG in […]]]>


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164

Posted: Friday November 19, 2021. 8:43 PM CST.

By BBN staff: Today was a historic day for music in Belize, as several Belizean artists signed contracts to join the major international label, Universal Music Group (UMG).

Supa G, Ty, Deja, Mailyn Vansen and Stig da Artist were all signed to UMG in a ceremony held today at the Shisha Lounge in Belize City.

The signing was facilitated by Area Representative for Mesopotamia and former Music Ambassador Shyne Barrow. Barrow, who has made several trips to the United States this year, posted on his social media account before the signing, showing that UMG executives were coming to Belize by private jet for the event.

“Fate cannot be deceived. Another historic gesture. Thank you for making Belize your priority, ”Barrow said in a message thanking UMG.

Universal Music Group NV is a Dutch-American multinational music company. UMG’s head office is located in Hilversum, The Netherlands, and its operational headquarters are located in Santa Monica, California. the label has a plethora of iconic names in music on its artist roster, including Kanye West, Mariah Carey, Adele, Rihanna, Cold Play and Lady Gaga, to name a few.

The signing of a label of this magnitude gives our Belizean artists opportunities to hone their craft to new heights and opens up new perspectives for collaborations.

BBN congratulates all the Belizean artists who are the new signatories of UMG and wishes them every success as their careers prepare to enter this next phase.

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Are you local? Crit group reunion redefines what it means to be an Austin artist: two-part retrospective exhibition brings together local creators and in the main gallery – Arts https://recordingstudiolondon.co.uk/are-you-local-crit-group-reunion-redefines-what-it-means-to-be-an-austin-artist-two-part-retrospective-exhibition-brings-together-local-creators-and-in-the-main-gallery-arts/ Thu, 18 Nov 2021 10:07:35 +0000 https://recordingstudiolondon.co.uk/are-you-local-crit-group-reunion-redefines-what-it-means-to-be-an-austin-artist-two-part-retrospective-exhibition-brings-together-local-creators-and-in-the-main-gallery-arts/ Installation view, Crit Group Reunion, The Contemporary Austin – Jones Center, 2021. (Photo by Brian Fitzsimmons / Courtesy The Contemporary Austin) A few months ago, I wrote an article for this newspaper in which I referred to an artist working in Austin as “local artist” in the title. This artist later generously shared the post […]]]>

Installation view, Crit Group Reunion, The Contemporary Austin – Jones Center, 2021. (Photo by Brian Fitzsimmons / Courtesy The Contemporary Austin)

A few months ago, I wrote an article for this newspaper in which I referred to an artist working in Austin as “local artist” in the title. This artist later generously shared the post on his personal Instagram, and an older, more established artist, who also works in Austin, commented “Congratulations … but you know I hate the term ‘local’ – you are Austin based !!! “

Of course, I had used the word “local” simply to point out that this artist, who had recently won a grand prize, lives in Austin, not to say in a derogatory way that his work was suitable locally, as opposed to a local. national or international level. But the brief comment made me wonder, “If I had written for a New York article about a New York-based artist, would I have called him a ‘local’ artist?” ” Probably not. So why was I comfortable calling an exceptionally talented artist who, by the way, exhibits in cities across the United States, a “local” artist? Are artists who live in centers like New York, Los Angeles, Berlin and Tokyo “above” words as local? What does this suggest about the way people think of artists living in Austin, or in any city or town outside of these so-called contemporary art “centers”?

The Contemporary Austin is also beginning to ask these questions. Their current two-part show, Crit Group Reunion, has long shed light on the strong community of visual artists working in Austin, an initiative that initiates a more in-depth conversation about how large institutions should invest in existing art ecosystems in the places where they are located. In a first for Contemporary, all of the featured artists are alumni of its Crit Group program, which was launched in 2014 to give people a chance to share their work and receive feedback, participate in professional development opportunities. and to deepen the links with the art of Austin. community. Each year, less than 10 artists are selected to join Crit Group. Normally, at the end of the annual program, each cohort exhibits their work at the grayDUCK Gallery in East Austin. This time, for the first time for the Contemporary, their work will be exhibited in its gallery at the Downtown Jones Center.

The first chapter of the exhibit, “Facing the World,” which opened on September 11, was loosely focused on how sheltering in place draws attention to the natural and domestic environments that surround us. surround. The second chapter, “Face to Face”, which opens on November 20, will explore how aggravated health and social crises have changed our relationships with each other and we see ourselves in broader social settings.

So what motivated a large institution like the Contemporary to suddenly show these Austin artists in the museum itself, as opposed to a smaller partner gallery? Robin K. Williams, the associate curator involved in the exhibit, explained that “COVID has struck, and everything has been tossed into the air. … The museum closed its doors and this forced us to reconfigure the exhibition schedule. Williams also mentioned that as the museum grappled with these abrupt changes, it ushered in a new executive director, sharon maidenberg, in the summer of 2020, when the protests following the George Floyd murder drew attention. more acute on issues such as fairness and visibility.

These internal and societal changes brought the institution, like many others, to confront the artists it had historically shown and why they had been selected. Perhaps more importantly, they were also asked to consider which artists had been excluded from these opportunities in the first place. Williams recalled that the conversations that took place at the time generated strong feelings among the staff of the Contemporary to produce an exhibit that specifically served the city of Austin. She noted that many of her colleagues shared the new leadership’s goal “to see the museum become truly rooted in the local community, to the same degree that it has functioned nationally and internationally in art” .

“[We want] to see the museum become truly strongly rooted in the local community, to the same degree that it has functioned nationally and internationally in art.– Robin K. Williams, Contemporary Austin

Authentic community service has always been at the heart of Crit Group, so highlighting this program seemed like a concrete and meaningful way to express the institution’s renewed commitments to local and regional artists and audiences. Williams said that bringing the artists together for the show “re-energized the community building that was integral to the whole philosophy of the program itself.”

Early in the planning, the curators made a decisive effort to listen and respond to the changing needs of artists. Williams and Crit Group co-founder Andrea Mellard began the process by arranging meetings of each cohort on Zoom, followed by individual studio visits with the 52 artists in the show. During the process, curators listened to artists describe new challenges – such as decreased job security, loss of studio space or time, and increased family responsibilities – but also unlikely repays, such as less. social obligations and more leniency with deadlines.

Williams pointed out that “everything was pretty austere” in the summer of 2020, when these conversations were taking place: “A lot of museums, and especially small institutions, have had to cancel shows, which means artists who had shows in the books suddenly don’t need it anymore. ” The prospect of having an exhibit open in the fall of 2021, when they imagined the severity of the pandemic would diminish (in reality, the opening of the exhibit coincided with a wave of COVID caused by the Delta variant) , has become a beacon of hope on the horizon to look towards.

Virgina Lee Montgomery, EGG STONE, 2020 and O, LUNA !, 2021. Installation view, Crit Group Reunion, the Contemporary Austin – Jones Center, 2021. (Artwork © Virginia Lee Montgomery / Courtesy of the artist Photo by Colin Doyle / Courtesy of The Contemporary Austin)

Almost all of the work featured in Crit Group Reunion was done in 2020, which means it risked being just another pandemic group show, one of those forced, underdeveloped and sometimes painfully disjointed that institutions seem to think provide a deep reflection on the past 20 odd months. However, the bulk of the collection does not deal with the pandemic at all, but rather is, to use Williams’ words, “conditioned by this moment in time.”

As artist Virginia Lee Montgomery addressed her contribution to the show, she wanted to create a soft and immersive piece that depicted the experience of being released from home confinement. During the pandemic, Montgomery raised luna caterpillars in his studio in Hyde Park. Observing them between remote work sessions for her day job, she realized that moths were a “wonderful symbol to embody hope, metamorphosis regeneration and emergence.” Montgomery then produced MOON ! a striking four-minute video in the exhibit, which shows moths through their maturation, performing delicate functions like ringing bells and interacting with an insect-sized camera that Montgomery specially designed for them.

This spirit of generosity, wonder and empathy also surfaced for Steve Parker, who produced a sound performance at Laguna Gloria in tandem with the Jones Center exhibit. Parker has degrees in music and math, and before Crit Group, had never shown work in an art gallery. When I asked Parker what he thought as he conceived the performance of Laguna Gloria, he referred to Hildegard von Bingen, a 12th-century German abbess, mystic, songwriter and composer, who “was interested in the potential of sound and to his recovery. properties … and how the practice of purposeful listening can be an act of self-empowerment. “Parker reflected on the healing potential of music as he created Elegy of the foghorn, the first large-scale performance he has led since the start of the pandemic. He says, “I really enjoy doing art with other people, and I think this will be one of those really powerful experiences.”

Crit Group was conducted virtually in 2020, and Contemporary is still evaluating how and if it should continue the program, or perhaps modify it in the future. However, the former artists said it was invaluable to them. Montgomery described it as “a way to literally share the knowledge we each have gained from being, in many cases, long-time practitioners of the art.” She explained that a viewer “cannot necessarily look at a piece of art on the gallery wall and [think], ‘Oh, this is done by someone who has invested a lot of time, energy, education, schooling and decades of participating in a rigorous subculture to do it. [happen]. ”Crit Group recognizes the“ underground work ”that artists engage in, and that seems to be part of its unusual beauty and functionality.

The retrospective has personal significance for Dawn Okoro, whose self-portrait in colored pencil will be included in the second chapter of the reunion. She recalled her own experiences while visiting the Jones Center in early August: “I remember looking at the artist’s work and thinking, ‘Wow, how can I get my work here? “… It looks like you have to go exhibit in New York or overseas before you can come and show here.” After participating in the Crit Group and then exhibiting in New York and overseas, Okoro said that having your own job at the Jones Center “feels like the circle has come full circle for me”.

Crit Group Reunion celebrates the vital cultural contributions of visual artists living in Austin by placing their work in a premier space in the busy downtown area. Particularly in a city best known for its more established musical and film cultures, an exhibition like Crit Group Reunion has the potential to put Austin on the map as a major destination for the visual arts. The show, and the program that inspired it, provides a prime example of how an institution can elevate emerging artists to much greater visibility. After all, the performers in this show aren’t just “local”. They are based in Austin.


Crit Group Reunion, “Chapter 2: Face to Face” is scheduled for November 20 through January 20. 16 at Jones Center, 700 Congress, thecontemporaryaustin.org.

A version of this article appeared in print on November 19, 2021 with the title: Are you local?


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10 Dishes with Chef Michael Schwartz of Miami’s The Genuine Hospitality Group https://recordingstudiolondon.co.uk/10-dishes-with-chef-michael-schwartz-of-miamis-the-genuine-hospitality-group/ Tue, 16 Nov 2021 09:45:48 +0000 https://recordingstudiolondon.co.uk/10-dishes-with-chef-michael-schwartz-of-miamis-the-genuine-hospitality-group/ After a shift, what’s your favorite guilty pleasure to eat? “My guilty pleasure after work would be a cheeseburger. It provides the perfect amount of flavorful balance after a busy night. Is there a dish you won’t cook? “The only thing I won’t do is chicken pizza. It’s a hard no for me. Favorite spice […]]]>

After a shift, what’s your favorite guilty pleasure to eat? “My guilty pleasure after work would be a cheeseburger. It provides the perfect amount of flavorful balance after a busy night.

Is there a dish you won’t cook? “The only thing I won’t do is chicken pizza. It’s a hard no for me.

Favorite spice of all time. “I have a lot of them, but right now my new favorite spice is smoked pepper.”

What’s your favorite music to listen to while you cook? “My favorite music to listen to is jazz, especially Thelonious Monk. It sets the mood and helps me focus on what I’m doing.

Did you grow up cooking? “No. I grew up eating prepared dinners. Cooking was not on my radar until I got older and started working in restaurants. From there, I knew it was was what I wanted to do.

Which cookbook is your inspiration? ” My favorite book is The Zuni Café cookbook. “

Which chef, dead or alive, would you like to cook with? “Paul Bocuse.”

After all those years working in the restaurant business, how much do you still enjoy going out to eat? “Yes, I still like going out to eat. I have learned over the years to manage my expectations a bit too.

Name the best cooking show ever. “For me, it’s Jacques Pépin.

What is the best food city in the world? “Without a doubt, New York! “

James Beard Award-winning Chef Michael Schwartz is the founder of Miami’s The Genuine Hospitality Group, which runs Amara in Paraiso, Harry’s Pizzeria, Reef Kitchen, Genuine Burger, and Michael’s Genuine Food & Drink, which reopens this month- this.

The interview has been condensed and edited.


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Recap of episode 9 of season 6 of “The Masked Singer”: “Semi-final of group A” https://recordingstudiolondon.co.uk/recap-of-episode-9-of-season-6-of-the-masked-singer-semi-final-of-group-a/ https://recordingstudiolondon.co.uk/recap-of-episode-9-of-season-6-of-the-masked-singer-semi-final-of-group-a/#respond Thu, 11 Nov 2021 02:01:00 +0000 https://recordingstudiolondon.co.uk/recap-of-episode-9-of-season-6-of-the-masked-singer-semi-final-of-group-a/ With no more wild cards left to defeat the competition, it was time for a special double-elimination episode of “The Masked Singer”. One by one, Group A’s remaining costumes – Bull, Pepper, Jester, and Skunk – took to the stage in an attempt to impress panelists and studio audiences. So how did it all go […]]]>

With no more wild cards left to defeat the competition, it was time for a special double-elimination episode of “The Masked Singer”. One by one, Group A’s remaining costumes – Bull, Pepper, Jester, and Skunk – took to the stage in an attempt to impress panelists and studio audiences. So how did it all go during the “Group A Semi-Final” episode?

SEE “The Masked Singer” Reveals For All Seasons: Celebrities And Costumes Through The Years

Below, read our “The Masked Singer” minute-by-minute recap of Season 6, Episode 9 to find out what happened on Wednesday, November 10 at 8:00 p.m. ET / PT. Then be sure to talk in the comments section about your favorite costumed characters on the Fox reality show and who you think have what it takes to win the whole competition. Robin thicke, Jenny mccarthy, Ken jeong and Nicole scherzinger star as panelists.

Keep refreshing / reloading this “The Masked Singer” live blog for the most recent updates.

20:00 – “Previously on ‘The Masked Singer’!” In the eighth episode, the contestants from Group B performed songs on the theme “Giving Thanks. The weakest voter ended up being Beach Ball, and when they unmasked the panelists were shocked to see Honey Boo Boo and Mom june standing in front of them. Who will be eliminated tonight?

8:05 p.m. – The semifinals of group A start with Bull. His last performance was very vulnerable. Bull had to dig deep and he showed the panel exactly what it could do. He can’t believe he’s in the semifinals and the Bull are the most nervous he has ever been in his life or career. He’s used to being a solo artist, but it’s a whole new level of pressure. Bull compares himself to others to the point of being almost crippling. He thinks Skunk is amazing and he thinks this voice is someone he has listened to since he was a kid. For this round, he’s picked a song that he hopes will let everyone know he’s a true triple threat. If he were to be unmasked, Bull would be devastated as he desperately wants to advance to the Group A final.

8:10 p.m. – Tonight Bull sings “Rain on Me” by Lady Gaga and Ariana Grande. This performance not only shows Bull’s singing voice, but also his dancing skills. He did it again! Tonight we’ll see how the singers are connected to the panel, so Nick will send a hint to the panelist the performer is related to. Nick pulls out his blingshot and shoots a hint with the word “Ring” on it towards Will. Bull says they have more in common than Will thinks and asks, “Does that ‘ring’ a bell?” Ken guesses that the bull is the winner of an Emmy Billy Porter. Nicole shakes the singers Bailiff, Jason derulo and Ne-Yo.

8:15 p.m. – Pepper is next with his semifinal performance. Joining the competition just days before it started forced her to adapt very quickly. Pepper can’t believe she made it to the semi-finals. Her goal is simply to explore another side of herself. She’s had the “good girl” thing for a long time and with the pepper it has a lot of spice and spice and energy. Tonight, Pepper is really going to dig into her storytelling ability. All the songs she has sung so far have a lot of emotion, like recovering from the pain. The hardest thing Pepper has experienced was watching the one she loves and cares most about the unthinkable. She just remembers that she wanted things to get better and this song reminds her of that.

8:25 p.m. – Tonight, Pepper sings “Sign of the Times” by Harry Styles. His voice takes center stage for this magnificent catchy ballad. What a powerful voice! Nick shoots a blingshot clue at Ken who says, “Train”. She said, “Even gravity couldn’t stop this train from reaching you.” Confident in his guess, Ken asks for the “Take it Off” buzzer! Ken sincerely believes that Pepper is Sara Bareilles. Ken crushes the “Take it Off” buzzer, which will force Pepper to unmask if he’s right. But is Ken right? Pepper begins to remove his mask before Nick reveals that Ken is wrong! Pepper is not Sara Bareilles so she will keep her mask. And since Ken wasted so much time, no other panelist can guess.

8:30 p.m. – Then it’s the crazy jester! He says this show is a riot! So funny. But it’s very difficult because it’s a completely different way of working. As a joker, Jester must look like some sort of scallywag that just got bumped at the last minute. The other singers have all made their way through the season and comes this Jester. The man from the cold. The person Jester thinks he’s going to get the most of is his wife. They have been together for 45 years, but unfortunately her health is not what it used to be. But no disease can prevent how much Jester loves her. When she sees this it will be a complete blast for her and she will know without a doubt that it is him.

8:35 p.m. – Tonight, Jester sings “I Am a Man of Constant Sorrow” by Soggy Bottom Boys. It’s an extreme departure from his last heavy metal performance. The panelists are completely confused by this change, but the jester makes people laugh as he likes to do. Nick shoots his blingshot with the word “Cake” meant for Robin. The jester says, “Hey, crooked neighbor! Take your cake and eat it! Will thinks Jester is Joe elliot Of the band Def Leppard. Ken says it could be SpaceX CEO Elon musk. He also mentions the media mogul Simon cowell as a possibility. Robin screams one last guess from Chip of Red hot peppers.

8:40 p.m. – The last performance of the evening is by Skunk. Now it’s the semi-finals and the pressure is on. The fierce competition raises the stakes for Skunk as a performer. She thinks Bull is the one to beat because he brings all the energy. It makes him rethink some things. Skunk needs more passion, emotion and soul to win this stuff! No matter what those other contestants bring, every song Skunk does, she makes it her own. Tonight, she pulls out the big guns of a woman who once said she would like Skunk to portray her in a movie. Honestly, the thing Skunk is most proud of these days is that her kids are seeing her perform on this stage. Their mom still has it and she hopes to qualify for the final.

8:45 p.m. – Tonight Skunk sings “At Last” by Etta James. Damn, this Skunk can sing! She is my favorite this season. The panel is crazy about this performance. Robin is standing on the desk while Ken bows down to her. Before the panel announces his guesses, Nick shoots the blingshot at Nicole with the word “Love”. Skunk says she and Nicole have a “romantic bond”. Nicole guesses Mary J. Blige and Robin is convinced that it is Faith Evans. Jenny says all the signs are pointing Jill scott.

8:50 p.m. – The panel, the studio audience and the superfans voted. Only two will qualify for the Group A final. The first singer to be unmasked tonight is Jester. Before the jester takes it off, the panelists’ first impressions will be revealed. Ken guessed Roger daltrey and he sticks to it. Nicole thought it was Sammy Hagar, but she changed her mind to Gene Simmons. Robin’s first impression was Alice cooper, but now he thinks it’s Flea from Red Hot Chili Peppers. Jenny guessed Dee Snider and hold on tight. Jester finally takes off his mask and reveals himself to be … a legendary rock star Rotten johnny, singer of Sex guns!

8:59 p.m. – It’s time to find out who will be the second singer unmasked tonight. Nick gathers everyone and announces that Pepper is coming home. This means Bull and Skunk will face off for the Group A title in two weeks. Before Pepper takes it off, it’s time to get some first impressions from the panelists. Robin first said it was Carly Rae Jepsen, but now he thinks it’s Mandy moore. Jenny chose Lana del rey, but now she goes with it Dido. Ken’s first impression was Kesha, but now he says Pink. Nicole chose Natasha Bedingfield and she sticks to it. Will throws one more guess and says Sia. Pepper finally takes off her mask to reveal… Grammy-nominated singer-songwriter Natasha Bedingfield! This places Nicole on the Golden Ear Trophy with a point. Will she continue this momentum throughout the season and win the trophy this year? It’s a wrap for tonight. The group B semi-finals will take place next week.

SEE Exclusive predictions: who will win ‘The Masked Singer’?

Be sure to make your predictions to influence our reality TV racing odds. You can keep changing your predictions until the next episode airs on Fox. You will be competing for the bragging rights eternally and a place in our ranking for Season 5 of “The Masked Singer”. Check out our contest rules and chat with other fans on our reality TV forum. Learn more about Gold Derby Entertainment News.


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Leisure Hotels Group opens Hideaway Bedzzz Varanasi https://recordingstudiolondon.co.uk/leisure-hotels-group-opens-hideaway-bedzzz-varanasi/ https://recordingstudiolondon.co.uk/leisure-hotels-group-opens-hideaway-bedzzz-varanasi/#respond Tue, 09 Nov 2021 05:46:57 +0000 https://recordingstudiolondon.co.uk/leisure-hotels-group-opens-hideaway-bedzzz-varanasi/ New Delhi: Leisure Hotels Group (LHG), an experiential hotel chain with 27 hotels in 4 states, has opened a youth-centric hotel “The Hideaway Bedzzz” in Varanasi (UP), the city of lights.Also Read – As Indians Can Now Travel to Thailand, Check Out Latest Covid Guidelines Here The opening also marks the consolidation of the group […]]]>

New Delhi: Leisure Hotels Group (LHG), an experiential hotel chain with 27 hotels in 4 states, has opened a youth-centric hotel “The Hideaway Bedzzz” in Varanasi (UP), the city of lights.Also Read – As Indians Can Now Travel to Thailand, Check Out Latest Covid Guidelines Here

The opening also marks the consolidation of the group as a premium player in the spiritual tourism circuit in India. Leisure Hotels Group has pioneered luxury spiritual travel on the Char Dham circuit (Yamunotri, Gangotri, Kedarnath and Badrinath), not to mention that Leisure Hotels Group already operates several boutique and experiential resorts in Haridwar and Rishikesh. Also Read – Here’s Why You Shouldn’t Take That Trip To Europe This Winter

Leisure Hotels Group opens “The Hideaway Bedzzz” Varanasi

Vibhas Prasad, Director, says: “Kashi sees a diverse mix of tourists of all ages and nationalities throughout the year. The leisure traveler, spiritual seeker, business traveler or backpacker from all over the world, “Benaras” has always attracted explorers seeking to discover themselves. Also read – 5 Types of Trips to Take For Those Instagram Worthy Coils & Photos – From Beach Destination To Uphill Getaway!

Leisure Hotels Group opens

Leisure Hotels Group opens “The Hideaway Bedzzz” Varanasi

The Hideaway Bedzzz is designed to provide an affordable and relaxed vibe amid a vibrant and bustling backdrop. In addition to comfortable rooms and upscale dormitories, the hotel also offers an interesting rooftop lounge. The living room is a great place to relax with a range of leisure options including live music, indoor games, library, big screen entertainment and more.


“Our Bedzzz properties offer a rooftop dining experience with music at the ‘Travel Diaries Cafe’ that is unique to this ‘youth’ in all destinations. The menu offers a unique perspective on the fusion of international, Indian and local flavors, ”added Prasad.

  • 10th property in a spiritual place
  • 3rd hotel in Uttar Pradesh
  • 2nd Hotel in Bedzzz Vertical
  • 28th property of the Leisure Hotels Group

Leisure Hotels Group’s 3rd hotel in the state of Uttar Pradesh, The Hideaway Bedzzz, Varanasi is located in the heart of the city, and is only 800 meters from the most important, Dashashwamedh Ghat. It is only 350 meters from the Godowlia Market in Varanasi and about 1 km from the ancient Kashi Vishwanath Mandir.

Leisure Hotels Group opens

Leisure Hotels Group opens

Dating back 3000 years, the city of salvation, Varanasi founded on the banks of the Ganges, is one of the Hindu sacred cities. Gautam Buddha is believed to have founded Buddhism here around 528 BCE. The city is also a large industrial center famous for its muslins, silk fabrics, perfumes and sculpture.


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Video of group of friends dancing on Manike Mage Hithe in Mukteshwar goes viral. To concern https://recordingstudiolondon.co.uk/video-of-group-of-friends-dancing-on-manike-mage-hithe-in-mukteshwar-goes-viral-to-concern/ https://recordingstudiolondon.co.uk/video-of-group-of-friends-dancing-on-manike-mage-hithe-in-mukteshwar-goes-viral-to-concern/#respond Sun, 07 Nov 2021 05:10:36 +0000 https://recordingstudiolondon.co.uk/video-of-group-of-friends-dancing-on-manike-mage-hithe-in-mukteshwar-goes-viral-to-concern/ A video of a group of friends dancing to Manike Mage Hithe in picturesque Mukteshwar has gone viral online and is winning hearts on the internet. There is no doubt that the interpretation of Manike Mage Hithe by Sri Lankan singer Yohani Diloka De Silva has gone viral and, thanks to it, the singer has […]]]>

A video of a group of friends dancing to Manike Mage Hithe in picturesque Mukteshwar has gone viral online and is winning hearts on the internet.

There is no doubt that the interpretation of Manike Mage Hithe by Sri Lankan singer Yohani Diloka De Silva has gone viral and, thanks to it, the singer has gained international fame. The catchy number has exploded across the internet and can be heard in every second reel on Instagram. People have released versions of it in languages ​​like Punjabi, Bhojpuri, and Gujarati, among others, and social media is full of videos of people dancing on it. Now a video has gone viral in which a group of friends are having fun on the quaint Muksteshwar song and it’s too good to miss.

While a crochet stage for Manike Mage Hithe is furiously trending online, this group has decided to perform in their own way. They groove with soul on the catchy song against the backdrop of mountains and clear sky. The steps performed by them matched the rhythms of the song and it was an absolute treat to watch them.

“A trendy melodic song, a beautiful location and a bunch of buddies, that’s all we need to pull off an Instagram reel,” the post’s caption read.

The video was posted on Instagram by choreographer Eva Rawat.

Watch the clip here:

Smooth, isn’t it? Internet users thought so too and flooded the comments box with appreciation.

“It’s so good,” one user wrote.

Another user commented: “Wow”.

See some comments here:

Sinhala song Manike Mage Hithe by Satheeshan Rathnayaka released in 2020. It became popular in May after the release of Yohani’s version.

What do you think of their performance?

ALSO READ: The English version of Manike Mage Hithe goes viral online. Have you seen it before?

WATCH ALSO: Police stop accused Karnataka Bitcoin scam after hotel brawl

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Meet Clout Mag’s Supa Band, The Next Generation Of Nigerian Music Stars | The guardian of culture https://recordingstudiolondon.co.uk/meet-clout-mags-supa-band-the-next-generation-of-nigerian-music-stars-the-guardian-of-culture/ https://recordingstudiolondon.co.uk/meet-clout-mags-supa-band-the-next-generation-of-nigerian-music-stars-the-guardian-of-culture/#respond Fri, 05 Nov 2021 22:05:15 +0000 https://recordingstudiolondon.co.uk/meet-clout-mags-supa-band-the-next-generation-of-nigerian-music-stars-the-guardian-of-culture/ Over the past two years, Clout Africa has focused on creating a new standard for music production, artist management and media distribution in Nigeria through its dedicated media incubator and production studio. full-stack. Now the platform is releasing Clout Mag, a premier digital magazine. Commenting on the decision to focus on digital audiences, Serge Noujaim, […]]]>

Over the past two years, Clout Africa has focused on creating a new standard for music production, artist management and media distribution in Nigeria through its dedicated media incubator and production studio. full-stack. Now the platform is releasing Clout Mag, a premier digital magazine.

Commenting on the decision to focus on digital audiences, Serge Noujaim, CEO of Clout, explains: “Our audiences live online, they connect on social networks, get information on blogs and organize themselves through group discussions. . It makes sense that we create stories that work in their original environment. “

With the growing appreciation of Nigerian music around the world, Clout Africa is uniquely positioned to deal with the balance of reporting conversations around our biggest stars and this rapidly emerging new landscape. As such, the Mag will focus on our own greatest and brightest talents and celebrate innovators and pioneers representing home country and abroad.

Clout elevates original reporting and in-depth reporting writing to create an editorial package, “Clout Mag” that highlights the intersection of our music and culture, opening the curtain on some of the greatest musical discoveries of 2021 and celebrating innovative artists who take African music to the world.

Our network of affiliates, our local and international partnerships and our proximity to the Lagos music scene allow us to be a trusted voice in African music and therefore we share our first editorial magazine, “The Supa Group”, which covers some of the brightest acts, Oxlade, Ayra Starr, Zinoleesky, Lojay and Check.

Photographed by emerging photographer Iyesogie Ogieriakhi and styled by industry veteran Samuel Ifeoluwa for Studio Soft, Clout Mag’s Supa group enjoys exclusive editorial and individual coverage, celebrating their unique personalities as well as their collective power. as a new wave of revolutionary talent. .

These five artists have proven to be the future of African pop music with the impact of their music on popular culture in Africa today. From humble beginnings in their careers to taking over radio waves, club DJ sets, music-loving playlists, and even the global streaming space, the Supa group has cemented their status as the most popular artists. most influential in Nigeria today, not only for their unique sounds, but also for the messages of positivity and hope they bring to their fans.

With their music echoing social issues, community and identity in Africa, we interviewed each of them to get a more personal idea of ​​their careers and the stories behind some of their hit songs that shaped the its popular on the radio today.

“If we don’t give our biggest stars the treatment they deserve on the cover, who will?” Oladotun Kayode, brand director at Clout, pointed out. “Each of these artists is brilliant and has their own unique story that defines what we all love and listen to. It will be a disservice if their stories are not told or worse yet if they are bastardized by people who know nothing about our culture and experiences.

The magazine also celebrates a wide range of female executives and new voices in the industry, showing an often underrated demographics of the industry.

It is currently available for download from the Clout Africa website, Clout.ng and physical copies will be available upon request.


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QUICK HITS: Believe + Pay Two • Create Music + Nirvana Digital • FUGA + Beggars Group https://recordingstudiolondon.co.uk/quick-hits-believe-pay-two-create-music-nirvana-digital-fuga-beggars-group/ https://recordingstudiolondon.co.uk/quick-hits-believe-pay-two-create-music-nirvana-digital-fuga-beggars-group/#respond Thu, 04 Nov 2021 12:40:55 +0000 https://recordingstudiolondon.co.uk/quick-hits-believe-pay-two-create-music-nirvana-digital-fuga-beggars-group/ To believe acquired a 25% stake in the French independent label Play at two, a subsidiary of the TF1 group. This partnership will strengthen Believe’s presence in France and accelerate Play Two’s digital growth. Play Two artists such as Gims, Vitaa, Hatik, Anne Sila, Vincent Niclo, Tayc, Camelia Jordana, Squeezie, Julien Clerc and Gaëtan Roussel […]]]>

To believe acquired a 25% stake in the French independent label Play at two, a subsidiary of the TF1 group. This partnership will strengthen Believe’s presence in France and accelerate Play Two’s digital growth.

Play Two artists such as Gims, Vitaa, Hatik, Anne Sila, Vincent Niclo, Tayc, Camelia Jordana, Squeezie, Julien Clerc and Gaëtan Roussel will diversify the Believe roster in France around a greater variety of musical genres.

MBW estimates the investment at around $ 14 million.

Create a music group, the privately held U.S. music and media company, today announced that it will expand its global presence with the acquisition of Digital nirvana, a Mumbai-based company that is one of the largest YouTube Enterprise partners in India.

The two companies now exceed 25 billion streams per month, making Create one of the largest media companies in the world in terms of audience.

Although the terms of the deal were not disclosed, it is the first of a planned $ 50 million investment that Create will make in India and the wider Asian region over the next several years. .

FUGA, the full-service B2B music distributor owned by Downtown Music Fund, today announced a global delivery platform services agreement with Group of beggars, the legendary group of independent labels that houses 4AD, Matador, Rough Trade Records, XL Recordings, and Young.

The partnership provides for deep technical integration between Beggars ‘new technology platform and FUGA’s proprietary digital supply chain technology, to serve all of Beggars’ global DSP partners with the entire group catalog and new releases. of the five labels.


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